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5 Guys Named Moe
Aaron Meyer
Adam The Great
Aguamiel
Alex Zerbe
AM/FM
Amy Clawson
Animotion
Ariel Consort
A-WOL Dance Collective
Catch A Wave
Bex
Big Night Out
Bill Hayes
Bobby Medina & the
    Red Hot Band

Bobby Torres Ensemble
Body and Soul Reunion
Brokentop
Chris Baum Project
Chris Loid
Cloverdayle
Country Rock Association
Coyote Creek
Curtis Salgado
Dan Balmer
Dance Heads
Dance West
Darren Johnson
Dave Charvet
Debra Arlyn
Dennis Costi
Design
DoctorfunK
Don Jansen
Dwight Slade
Ellen Whyte
Ellen, Gene and Jean
Escapade
Essentials
Fabulous Essentials
Freddy Pink Band
Global FM
Gretchen Mitchell Band
Harmik
Heather Pearl
Heidi Thompson as Cher
High Street
Hit Machine
intervision
Jack Mack and the
     Heart Attack

Jacob Merlin
Jammies
Jass Two Plus One
Jeff and Rhiannon Show
Jerry Harris
Joe Stoddard
Johnny Limbo & the Lugnuts
Johnny Martin
Judy Norton
Jugglemania
Jujuba
Karen as Marilyn
Karla Harris
Kathy Walker
Keegan Smith
Kermet Apio
Key Of Dreams
Kit Taylor
Linda Hornbuckle
Linda Michelet Big Band
Lino
Lions of Batacuda
Louise Duart
Matt Baker
Maureen Love
McQueen
Melegari Chamber Players
Melody Guy
Michael Allen Harrison
Michael John
Misty Mamas
Murray Hatfield & Teresa
Nicole Campbell
Oncore
Pepe and the Bottle Blondes
Power of 10
Quarterflash
Radical Revolution
Reunion
River City Ramblers
Rocket 88
Ron Stubbs
Sally Harmon
Satin Love Orchestra
Seymour
Shoshana Bean
Shwing Daddies
Smith and Hayes
Sonic Funk Orchestra
Soul Vaccination
Space Oddity
Stacy Allison
Stan Davis
Starship
Stephanie Scheiderman
Stone In Love
Susan Rice
Swing D.C.
Swingline Cubs
Tall Jazz
Todd Haaby
Tony Pacini
Those Darn Accordions
Tom Grant
Toque Libre
Trail Band
Ty Curtis
Type A
Valerie Day
Wacky Waiter
Zippers


Johnny Martin

                      
What makes a song witty or wise, romantic or memorable, has as much to do with who's telling it as it does the tune. In the words of Portland pianist Eddie Wied, "Man, Johnny Martin sounds like Sinatra."

Martin's love for lush big band arrangements recently caused him to make the cross-over from pop to swing. After a room erupted in applause and smiles at his first solo swing performance for the homeless at the St. Francis dining hall, he knew he had arrived at a place he wanted to stay.

In swing, Martin has found the voice that was his all along: strong, searching, truthful and sometimes comic, it resonates a tradition that created the expanse of American dreaminess and good times in the 1930's, 40's and 50's. Whether unwinding with his quartet or fronting a 16-piece band, Martin is ready to stretch the idyllic musical landscapes of the past into now, one song at at time.